Jaws - Antonia Quirke (BFI Film Classics) Eastern Europe expressionistic phase that found its

expressionistic phase that found its fullest expression in the monumental Sátántangó (1994) and the haunting cosmology of Werckmeister Harmonies (2000) - both co-written with novelist László Krasznahorkai

Biollante stands as a high point in the ever-evolving mythology of the King of the Monsters

faye Dunaway

a special mode of perception that transforms both seeing and hearing

- Interviews with director David Schmoeller

Jaws - Antonia Quirke (BFI Film Classics) Eastern Europe expressionistic phase that found its'Jaws' by Antonia Quirke (BFI Film Classics 104 page paperback) 50 years after its release, Jaws still exerts an extraordinary power over audiences. Apparently simplistic and manipulative, it is a film that divided critics into two broad camps: those who dismissed it as infantile and sensational and those who saw the shark as freighted with complex political and psychosexual meanings. Antonia Quirke, in an impressionistic response, argues that both